Showing posts with label museum. Show all posts
Showing posts with label museum. Show all posts

Friday, 1 August 2014

The Center of the Buddhist World: Bodh Gaya

Dhr. Seven, Crystal Quintero, Seth Auberon, Amber Larson, Wisdom Quarterly; Asian Art Museum, Pasadena (asianart.org); kathmanduandbeyond.com (photo); iloveindia.com
Great Enlightenment Temple (Maha Bodhi Cetiya), Bodhgaya, India (kathmandubeyond.com)

 
BODH GAYA, India - The wandering ascetic Siddhartha searched for a suitable tree to strive under. He chose one but was so weak from self-starvation and severe austerities that were it not for a maiden who mistook him for a dryad, a tree spirit manifesting in human form, he would have failed.

The maid ran to tell the mistress who daily made offerings at the tree. They prepared a rich meal of rice, milk, creme de la creme, and sweet treacle (coconut tree syrup).

Go back, be rich, prince! - Mara, I see you.
They approached the emaciated ascetic offered it. He was so weak they had to revive him, which disgusted the Five Ascetics, Siddhartha's fellow mendicants who abandoned him for accepting anything from a woman's hand. After all their help restoring him to health, Siddhartha realized the body was necessary for the quest. It was not the obstacle to be overcome, but rather it was the heart/mind. He left in search of a suitable place to strive, bathing in the river Neranjara, convinced that success was near.

Under Bodhi tree ("Enlightenment Tree") at the platform seat (Glenn Losack M.D./flickr)
 
Mara makes obstacles, kills, distracts.
He came to an awe inspiring grove and chose a tree that legend says was born the same day he was, which would have made it 34-years-old. Under its delightful shade he made a seat and determined not to give up until he realized the answer to, Why do we suffer?

But rather than striving with vigor, he realized that that had been fruitless and brought him to the verge of death.

Instead, he wondered why he had been avoiding the happy meditative absorptions (that go from supersensual bliss, joy, rapture all the way to very subtle unbiased equanimity) available to him. He realized, he would later say, that immersed in and obsessed by his austerities, he feared pleasure -- but why fear pleasure not tangled up with sensuality?

How to gain enlightenment


Siddhartha the ascetic wondered if this might be the way to enlightenment -- these pleasant absorptions -- and a certainty came upon him.
 
(In many past lives as a wandering ascetic he had developed, enjoyed, and benefited from the absorptions, which lead to spiritual bliss, supernormal powers, and enhanced consciousness, so at some level of subtle awareness he felt certain that they could help him now).
 
Relax, you've got plenty of time.
But many ascetics develop the meditative absorptions -- the zens, dhyanas, jhanas, chans -- and find that they are not enough. They can serve as an excellent basis for practicing successful insight meditation, contemplative practices in the temporary purity of mind/heart provided by immersing oneself in the absorptions, emerging, and immediately practicing for insight (vipassana).
 
Entering the first four jhanas successively and emerging, Siddhartha then asked himself the all-important question: What is this suffering due to? He realized that this was conditioned by that, but that was conditioned by something else. And he went back and back through 12 causal links (called Dependent Origination) to realize how things arise, how this present suffering arises, how it is he had come to be through an unfathomable past.

Moreover, he realized that there was a weak link in this chain, a point in the cyclical process which he could do something about: craving. Part of the chain depended on desiring, craving, and clinging to sensuality, to views, to continued becoming in superior states of existence.

Inside the main shrine of the Maha Bodhi ("Great Enlightenment") Temple in Bodh Gaya ("Enlightenment Grove"), Bihar (vihara) state, India (bharat), there is a golden statue under glass (Simon Maddison/maddison_simon/flickr)
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Sensual craving, clinging to views
While he could not will himself not to desire, not to crave, there was a way to bring about the cessation of craving: One could look at things just as they really are. For example, whatever one lusts, why does one lust after it?

WARNING: Don't look!
Partly, it is because it is pleasing, appealing, beautiful, and alluring -- until we keep looking and start to notice that it is flawed, falling away, aging, based on things completely unlike it. Say we find a body appealing, its beautiful skin and proportionality, its alluring fragrance and softness. If we look and keep looking, it will not be but a few hours before we notice impurities, offensive odors, "soil" coming out of all its openings -- mucus, ear wax, spittle, feces, urine, sweat, fat, gas.
 
Walking corpses (femen.org)
The realization is so shocking, so real, that the mind/heart shrinks back. One becomes dispassionate, disillusioned, and there is a moment of freedom, seeing things as they really are.
 
We are quickly re-illusioned; we run to it as our only safety and comfort in a harsh world, and we die still firmly in the grip of delusion, craving, and aversion (to all that is repugnant).
 
The heart/mind will not stand for the painful and disappointing truth. But, Siddhartha wondered, we were to stay with it? It allows an opening for systematic insight exercises, and one can break through to a realization that this has gone on not only in this life, this existence, but in countless past lives, past existences, past states of consciousness, past homes, past births, past states of becoming. And something more shocking is true: It is not only the gross impurities that are repulsive, there is a very subtle illusion going on:

That thing, that thing
Sid broke through (Songkhram_Ahuwari)
That thing, that composite-heap, is not one thing but countless parts, each of which is constantly falling away and being replaced. That thing -- all things -- that seems so stable, so likely to provide pleasure and satisfaction, actually provides a constant illusion and inevitable disappointment.

We never realize this; we cling to it instead as if maybe next time it will satisfy us, fulfill us, grant us lasting happiness and contentment. It fails, and fails, and fails, and yet we keep doing it seeing no other choice than to chase after illusory things. And it is not only sensual pleasures, but intellectual views (speculations, theories, philosophies, opinions, sides, real delusions about ourselves, about the world we think we see, feel, and taste out there).

Stop seeking. Live and die again.
Siddhartha's mind/heart let go, shrank back, pulled away, turned from, abandoned its clinging, its craving for this deception, and he saw things as they really are, profoundly realizing that "all things that come to be are subject to falling away; how could it be otherwise."

In other words, once one sees that things are not what they seem but are instead a painful trap, an mesmerizing illusion, a wheel we have been treading, a process the ancient mystics long ago named samsara -- this endless "continued wandering on." See, death would not be the end, death had never been the end, but just then Death got angry.
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Samsara, the Wheel of Existence, the process of rebirth and redeath, the "continued wandering on" is like my hamster's wheel, a source of endless distraction with no origination point and no end. It does not unravel by itself but will keep going and going endlessly. However, there is a way to get off this useless and painful pursuit. More fun

Mara (Cupid) is beautiful
Mara, the personification of death, would not stand idly by as someone came so close to the answer awakening from this fitful dream, where Death imagines itself the supreme ruler. Mara Namuci the "demon" with an army of ogres (male and female yakkhas) came to unseat the Bodhisat (bodhisattva, bodhisatta, the "buddha-to-be," the being-intent-on-enlightenment).
 
Siddhartha persevered and remembering countless past lives, past conditions, past times when these same things had been true, these lines pursued, never seeing this Dependent Origination of things.

Attack before he realizes the Truth!
He broke through and became the Buddha ("supremely awakened teacher"), a title signifying his perfectly awakened state. One should not cling to this title because the Sage of the Shakyas (his family clan name) has gone by many titles, Mahavira ("Great Hero"), Tathagata (the "Wayfarer or Welcome One and Well Gone One"), Bhagava ("Blessed One"), and so on.

We say the historical Buddha because the former Prince Siddhartha Gautama (Gotama) realized that there had been other Awakened Ones in the distant past and in the future, a precious few who taught, many more who could not, and those striving to accomplish this level of realization and teaching ability.
 
Tibetan monks use wooden planks to do 100,000 prostrations to the Bodhi tree (not shown)

Sunday, 27 July 2014

Sex, Chocolate, and Buddhism

Dhr. Seven and Crystal Quintero, Wisdom Quarterly; S.F. Asian Art Museum (asianart.org)


Gorgeous Idea
Rare Buddhist masterpieces on display
Imagine talks that are informal, impromptu, in-gallery conversations. Imagine that they are facilitated by scholars, artists, filmmakers, and writers. Imagine that the facilitators explore ideas arising from the artwork on view in the exhibition "Gorgeous." And when done imaging, visit the Asian Art Museum in San Francisco to see them brought to life. Each facilitator presents an idea that piques the curiosity of the host and the audience then engages in a session to investigate it through two or three artworks:
Caveat emptor: you get what you pay for.
How do artists use sex, food, physicality, and clothing to seduce and deceive viewers? Tina Takemoto explores how sexuality and race are deployed in artworks presented in Gorgeous that engage with cross-dressing, masquerade, embodiment, and ethnic drag.

Tina Takemoto is an artist and associate professor of visual studies at California College of the Arts in San Francisco.
 
Takemoto's research explores the hidden dimensions of same-sex intimacy and queer sexuality for Japanese Americans incarcerated during WW II. She has...received grants funded by Art Matters, James Irvine Foundation, and San Francisco Arts Commission. Her film Looking for Jiro received Best Experimental Film Jury Award at the Austin Gay and Lesbian Int'l Film Festival. Her
articles appear in Afterimage, Art Journal, GLQ, Performance Research, Radical Teacher, Theatre Survey, Women and Performance, and the anthology Thinking Through the Skin. Takemoto is board president of the Queer Cultural Center and co-founder of Queer Conversations on Culture and the Arts. On occasion, she makes guerrilla appearances as Michael Jackson and Bjork-Geisha.
Sex, Chocolate, and Buddhism
Wisdom Quarterly and Ven. K. Sri Dhammananda (Question Time)
Don't we have a parlor to get to? - Oh, S, we're gonna to be late! - I think they'll understand.
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"Chocolate" is a fruit seed crushed with sugar.
We have a gorgeous idea, too. Crystal, what should our idea be? We can tell Jeff, and maybe he'll do it.
 
We can take a cue from Prof. Takemoto and concentrate on sex and chocolate! Did you know that chocolate is a fruit? 

What are you talking about? Chocolat is a fat. 
 
Yes, but Theobroma cacao -- "cocoa, the food of the devas" is the bitter crushed pit of a tropical fruit mixed with sugar or some sweetener, like raw agave, to take the edge off.

Chocolate Buddha (Patosoftineto/flickr)
That's rad; we should make raw chocolate, mold it into little Buddha bars, and hand them out at our talk -- our parlor room discussion -- about sex.

They would never go for it. San Francisco is way too uptight.

Maybe, but they let Jeff do Cosmic Mandalas in the main gallery, converting museum space into an actual, working sacred mandala.

True, that's true. But sex is a touchy subject for Americans. We're Judeo-Christian Puritans whether we like it or not, and most of us don't even realize how uptight we are.

"Touchy" subject is right. Maybe we should start with hugs -- chocolates and a snuggle party!

This is a Parlor.

Whatever, did you know that all sexual misconduct is sexual conduct BUT not all sexual conduct is sexual misconduct?

The real life mandala at the SF Asian Art Museum (Dr. Jeff Durham/asianart.org)
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A woman discover the sensual scent of flowers
What, well, obviously! "All whales are fish, but not all fish are whales."

Fish are whales?

Whatever, things that live and swim in water all day.

What is sexual misconduct?

Who cares, our talk will be about sexual conduct.

Cool.

But Amber's not going to give the go ahead on this presentation.

Hmmm...I've got it! We'll run it by Seth instead.

Yes!

Worse comes to worse, we'll convince Ashley.

No, worse comes to worse they'll say we're parlor talkers. That chocolate had better be good, good like fudge.

We can quote Ven. Dr. K. Sri Dhammananda, the renowned Sri Lankan Theravada scholar-monk from Malaysia who says in Question Time:

Is sex bad?
As human beings, we have bodies that crave for all kinds of pleasures. Not only sex, we crave for food, pleasurable fragrances, sounds, sights, tastes, and tangibles.

If we deny ourselves these as being "sinful" then we repress natural desires. Instead of repressing these natural desires, we must seek to understand how and why they arise and to realize that it is not in our best intere3sts to pander to physical desires.

The victim of maya (illusion) sees the body as real and craves to satisfy a longing for sense desires (kama), which covers all kinds of sensual pleasure.

As the person, the being, matures spiritually, illusion is replaced with knowledge and wisdom (vidya and prajna). With spiritual matureity, the body is seen as an illusion and the person naturally grows out of craving. Here we see the spritually advanced being renounces sex (and other five sense strand pursuits) just as a child stops playing with toys as s/he grows up.

Quagmire is a pandaka (Family Guy)
There is nothing intrinsically wrong with sex. What is wrong is attachment and slavery to it, in believing that indulgence in sex can bring ultimate happiness.

This is the problem with the exploitation of sex by the mass entertainment industry today -- perpetuating the myth that sex can bring lasting happiness.

The third of the Five Precepts recited in daily Buddhist practice is, "I undertake the training rule to refrain from sexual misconduct." 

First, let's not that there is no compulsion, no fear of punishment for the infringement of any "divine law" here, but rather -- when we recognize the danger of attachment to sex, we freely take the steps (training rule) to grow out of it, that is, "I undertake."

(From Question Time with Venerable Dr. K. Sri Dhammananda, 2012, pp. 40-41, Buddhist Maha Vihara, Malaysia, Sasana Abhiwurdhi Wardhana Society).

Friday, 27 June 2014

Advice to the Kalamas; Egyptian Tattoos (video)

CC Liu, Seth Auberon, Amber Larson (eds.), Wisdom Quarterly; Ven. Dhammachotika, "Discovering Theravada Buddhism" (fozibertheravadaeng.no.sapo.pt, also in Portuguese)
The Buddha, Afghanistan/Bactria (Boonlieng/flickr)
After advising the Kalamas not to rely upon established tradition, abstract reasoning [logic based on unquestioned assumptions, personal preferences, sacred texts], or charismatic gurus, the Buddha proposes to them a teaching that is immediately visible, verifiable, and capable of laying a firm foundation for a life of virtue that purifies the heart/mind.

He shows that whether or not there are lives to come after the death of the present one, a life of virtuous restraint and of loving-kindness (metta, friendliness) and active-caring (karuna, compassion) for all living beings brings its own intrinsic rewards here and now -- a happiness and sense of inward security far superior to the unstable pleasures that can be won by violating ethical principles or indulging the mind/heart in its shortsighted craving for sensual desires.
 
The British Museum (britishmuseum.org)
For those who are not concerned to look any further, who are not prepared to adopt any convictions about a future life or existences beyond the present one, such a teaching will ensure their present welfare and their safe passage to a pleasant [human or kama-loka-deva] rebirth -- provided they do not succumb to the pernicious wrong view of denying karmic causality or any afterlife state.
 
However, for those whose vision is capable of widening to encompass the broader horizons of this present existence, the teaching given to the Kalamas points beyond its immediate implications to the very core of the Dharma.

The three states examined and questioned by the Buddha -- greed, hate, and delusion -- are not merely the basis of misconduct or defiled virtue staining the heart and obscuring the mind.

Within this teaching's framework they are the root defilements -- the primary causes of all bondage and suffering -- and the entire practice of the Dharma can be viewed as the task of uprooting these harmful factors by developing to perfection their antidotes: dispassion, kindness, and wisdom. More

Mummies's secrets: Tattoos in ancient Egypt and Sudan, June 2014 (britishmuseum.org)

Saturday, 26 April 2014

Can one love one's penis too much? (video)

This optical illusion is caused by our brain's top down processing rather than being mindful of what's there or what psychologists refer to as bottom up processing -- perceiving based on data rather than interpretation. Instead, our minds constantly "construct" our reality. Send complaints care of CC Liu. Then fish your mind out of the gutter and look below:
(VICE) Can a man love the penis too much? Acclaimed at festivals worldwide including HotDocs, SilverDocs, and Fantastic Fest, "The Final Member" follows the aging curator of one of the world's only penis museum as he races against his own mortality to complete his comprehensive collection. Opens in theaters and VOD 4-18-14.

Female Penis, Male Vagina: First Case of Genital Reversal in Nature
Charles Q. Choi (livescience.com); Yoshizawa et. al (Neotrogla aurora in Current Biology)
Female penis structure of cave insect (CB)
Females with penislike genitals and males with vaginalike organs are cases of a new extreme reversal of sex roles researchers have discovered in little-known cave insects.
 
These are the first examples of animals with genitalia that reverse the traditional sex roles, and the discovery could shed light on the conflict between the sexes in the animal kingdom, investigators said.
 
Scientists analyzed four species of insects from extremely dry caves in Brazil. All four species belong to the genus Neotrogla, just as dogs, wolves, coyotes, and jackals belong to genus Canis. The first Neotrogla was discovered 18 years ago; adult Neotrogla range from about 2.7 to 3.7 millimeters (0.11 to 0.15 inches) long. More

I am not a Dick (Nixon)
Stephen "the new David Letterman" Colbert on The Daily Show with Jon Stewart

Monday, 21 April 2014

Free College Night: Himalayan Buddhism

Ashley Wells, Seth Auberon, Wisdom Quarterly; Norton Simon Museum, Pasadena
Buddhist prayer flags flutter in the Himalayas (Bhakti Omwoods/facebook.com)


College Night is an evening at the Museum just for college students. 

Meet the curators, attend tours, and listen to gallery talks with exclusive behind-the-scenes information about favorite paintings and sculptures. 

Learn about the 20-foot-tall Tibetan Buddhist silk thangka in the special exhibition In the Land of Snow: Buddhist Art of the Himalayas.

Lamayuru gompa, Ladakh (DT)
et inspired by the photography exhibition Face It: The Photographic Portrait, and then channel that inspiration as by drawing in the galleries and enjoying music, food, and drinks with fellow art lovers in the Museum’s sculpture garden.

Students receive 25% off all food for sale in the Garden Café. Visit the Norton Simon College Night page for more information.
  • Friday, April 25, 2014, 7-9:00 pm
  • Open House, FREE with valid college I.D.
  • Registration recommended but not required

Wednesday, 16 April 2014

Yoga: The Art of Transformation

Wisdom Quarterly; ArtDaily.org; Dr. Jeff Durham San Francisco Asian Art Museum
Meditation is gaining popularity as a tool to de-clutter the mind and go from noise, stress, and chaos to peace, empowerment, and wellness. Learn to create positive attitudes and responses to situations by understanding universal spiritual principles through the simple, practical guidance of the ancient art of Raja Yoga meditation (Brahma Kumaris). More
 
Yogi and tantrika (Boonlieng)
SAN FRANCISCO, California - The Asian Art Museum presents Yoga: The Art of Transformation, the first major art exhibition to explore yoga and its historical transformation over the past 2,500 years through more than 130 rare and compelling artworks.

All over the world, millions of people practice yoga to find spiritual insight and improved health. Many are aware of yoga's origins in India, but few outside of advanced practitioner circles recognize yoga's profound philosophical underpinnings, its presence within Buddhist, Jain, Hindu, and Sufi religious traditions, or the surprisingly various social roles played by yogic practitioners over the centuries.

This exhibition shows yoga’s rich diversity and rising appeal from its early days to its emergence on the global stage. Borrowing from 25 museums and private collections in India, Europe, and the U.S., the artworks on view date from the 2nd to the 20th centuries, with a majority from the 8th to 18th centuries.

The wisdom of the Vedas from the ancient Vedic civilization is incorporated into Hinduism's Ayurvedic principles of healing herbs, foods, and dietary practices (Kitchen Pharmacy).

 
Throughout the exhibition, stunning examples of sculpture and painting illuminate yoga's key concepts as well as its obscured histories. Early photographs, books, and films show yogis not only as peaceful practitioners, but also satirized as sly imposters.

Artworks and audio guides also reveal yoga’s transformation in 20th-century India and the U.S. as an inclusive practice open to all.

The exhibition’s highlights include an installation that reunites three stone yoginis from a 10th century South Indian temple; 10 pages from the first illustrated book of yogic postures (asanas) from around 1600; and a film by Thomas Edison, "Hindoo Fakir" (1902), the first American movie ever produced about India.

Curated originally for the Smithsonian’s Arthur M. Sackler Gallery by the associate curator of South and Southeast Asian Art, Debra Diamond, the Asian Art Museum’s presentation is organized by the museum’s associate curator of South Asian Art, Qamar Adamjee, and assistant curator of Himalayan Art, Jeff Durham [who will be in Pasadena on Saturday talking about mandalas in Vajrayana Buddhism]. 

Classical Buddhist art (WQ/Boonlieng/SFAAM)
“We are honored to serve as the only West Coast venue in presenting this historic exhibition, one of the most remarkable surveys of Indian art,” said Asian Art Museum director Jay Xu.

“We hope that by illuminating aspects of yoga and its hidden histories to Bay Area audiences, visitors can take new perspectives to their present and future yoga practices.” 

The exhibition surveys the centrality of yoga in Indian culture and focuses on core elements of yoga practice; the role of teachers; the importance of place in yoga practice; the associations between yoga and power; ways in which yogis have been understood and imagined in Indian and Western popular cultures; and the transformation of yoga into today’s contemporary practice.

Kathak Yoga: dynamic footwork and dance as a means to union of breath, body, and mind.
 
Visitors are encouraged to start their journey in Osher Gallery, followed by Hambrecht Gallery, then Lee Gallery. 
  • Osher Gallery: The Path of Yoga - The exhibition begins by introducing visitors to yoga’s origins. Between 500 and 200 BCE, wandering ascetics of the [Vedic Brahminical] Hindu, Buddhist, and Jain religions developed practices for controlling the body and breath as a means of stilling the mind.
These practices introduced concepts that laid the groundwork for much of what later came to constitute "yoga." By the 7th century, many of yoga’s key concepts, vocabulary, and practices were established. This gallery reveals how artists translated yogic identities, beliefs, and practices into meaningful and eloquent visual forms.

In yoga, the body is both what must be transcended as well as the necessary tool for attaining enlightenment... More

Thursday, 10 April 2014

Land of Snow: Buddhist art of the Himalayas

Dhr. Seven and CC Liu, Wisdom Quarterly; Norton Simon Museum of Art
The world-famous Norton Simon Museum of [Buddhist] Art, Pasadena, California
The road to the top of the world, be it K2 or Everest, is the path-of-practice (RTI/WQ)
   
In the Land of Snow: Buddhist Art of the Himalayas
Buddhist Goddess, 1450 Nepal (NS)
This is the Norton Simon's first large-scale exhibition of Himalayan Buddhist art.

It will bring together exceptional Indian [Ladakhi, Sikkim, HP], Nepalese, and Tibetan Buddhist sculptures along with significant thangka (wall hanging "flat field") paintings from throughout the Himalayan region from the Museum's permanent collection and generous loans.

Himalayas (MickeySuman/flickr)
One monumental thangka, which measures over 20 feet in height, depicts the "Buddha of the Future," Maitreya, flanked by the 8th [NOTE: We are currently at the 14th] Dalai Lama, Jamphel Gyatso, and his tutor, Yongtsin Yeshe Gyaltsen. This is only the second time this extraordinary painting has been on view at the Museum.

The exhibit runs from March 28-August 25, 2014, but three related events begin tomorrow (see below).

Himalayan Maitreya, the Buddha-to-come, Diskit, Ladakh, India (PaPa_KiLo/flickr.com)

 
1. MANDALA MAKING (Family Art Night)
Bhavacakra (thangka-mandala)
Date: Friday, April 11, 2014, 6:30 pm-7:30 pm

Mandalas are cosmic diagrams that help us understand how the universe is organized. Create a mandala of your world with yourself at the center, surrounded by the people and things that are important to you. Meets in Entrance Gallery (FREE with admission), designed for families with children ages 4–10. No reservations needed
Maitreya thangka, Tibet 1793 (NS)
Join a Norton Simon Museum educator for a one-hour tour of the exhibition "In the Land of Snow: Buddhist Art of the Himalayas." Meets in Entrance Gallery (FREE with admission). 

3. LECTURE: Enter the Mandala: Cosmic Centers and Mental Maps in Himalayan Buddhism, Saturday, April 19, 2014
Jeff Durham (Asian Art Museum of San Francisco) Mandalas are geometric maps of Vajrayana Buddhist visionary worlds. Appearing in both painting and sculpture, mandalas typically consist of nested squares and circles. These geometric forms define the center of the cosmos... 3:00-5:00 pm