Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Friday, 1 August 2014

The Center of the Buddhist World: Bodh Gaya

Dhr. Seven, Crystal Quintero, Seth Auberon, Amber Larson, Wisdom Quarterly; Asian Art Museum, Pasadena (asianart.org); kathmanduandbeyond.com (photo); iloveindia.com
Great Enlightenment Temple (Maha Bodhi Cetiya), Bodhgaya, India (kathmandubeyond.com)

 
BODH GAYA, India - The wandering ascetic Siddhartha searched for a suitable tree to strive under. He chose one but was so weak from self-starvation and severe austerities that were it not for a maiden who mistook him for a dryad, a tree spirit manifesting in human form, he would have failed.

The maid ran to tell the mistress who daily made offerings at the tree. They prepared a rich meal of rice, milk, creme de la creme, and sweet treacle (coconut tree syrup).

Go back, be rich, prince! - Mara, I see you.
They approached the emaciated ascetic offered it. He was so weak they had to revive him, which disgusted the Five Ascetics, Siddhartha's fellow mendicants who abandoned him for accepting anything from a woman's hand. After all their help restoring him to health, Siddhartha realized the body was necessary for the quest. It was not the obstacle to be overcome, but rather it was the heart/mind. He left in search of a suitable place to strive, bathing in the river Neranjara, convinced that success was near.

Under Bodhi tree ("Enlightenment Tree") at the platform seat (Glenn Losack M.D./flickr)
 
Mara makes obstacles, kills, distracts.
He came to an awe inspiring grove and chose a tree that legend says was born the same day he was, which would have made it 34-years-old. Under its delightful shade he made a seat and determined not to give up until he realized the answer to, Why do we suffer?

But rather than striving with vigor, he realized that that had been fruitless and brought him to the verge of death.

Instead, he wondered why he had been avoiding the happy meditative absorptions (that go from supersensual bliss, joy, rapture all the way to very subtle unbiased equanimity) available to him. He realized, he would later say, that immersed in and obsessed by his austerities, he feared pleasure -- but why fear pleasure not tangled up with sensuality?

How to gain enlightenment


Siddhartha the ascetic wondered if this might be the way to enlightenment -- these pleasant absorptions -- and a certainty came upon him.
 
(In many past lives as a wandering ascetic he had developed, enjoyed, and benefited from the absorptions, which lead to spiritual bliss, supernormal powers, and enhanced consciousness, so at some level of subtle awareness he felt certain that they could help him now).
 
Relax, you've got plenty of time.
But many ascetics develop the meditative absorptions -- the zens, dhyanas, jhanas, chans -- and find that they are not enough. They can serve as an excellent basis for practicing successful insight meditation, contemplative practices in the temporary purity of mind/heart provided by immersing oneself in the absorptions, emerging, and immediately practicing for insight (vipassana).
 
Entering the first four jhanas successively and emerging, Siddhartha then asked himself the all-important question: What is this suffering due to? He realized that this was conditioned by that, but that was conditioned by something else. And he went back and back through 12 causal links (called Dependent Origination) to realize how things arise, how this present suffering arises, how it is he had come to be through an unfathomable past.

Moreover, he realized that there was a weak link in this chain, a point in the cyclical process which he could do something about: craving. Part of the chain depended on desiring, craving, and clinging to sensuality, to views, to continued becoming in superior states of existence.

Inside the main shrine of the Maha Bodhi ("Great Enlightenment") Temple in Bodh Gaya ("Enlightenment Grove"), Bihar (vihara) state, India (bharat), there is a golden statue under glass (Simon Maddison/maddison_simon/flickr)
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Sensual craving, clinging to views
While he could not will himself not to desire, not to crave, there was a way to bring about the cessation of craving: One could look at things just as they really are. For example, whatever one lusts, why does one lust after it?

WARNING: Don't look!
Partly, it is because it is pleasing, appealing, beautiful, and alluring -- until we keep looking and start to notice that it is flawed, falling away, aging, based on things completely unlike it. Say we find a body appealing, its beautiful skin and proportionality, its alluring fragrance and softness. If we look and keep looking, it will not be but a few hours before we notice impurities, offensive odors, "soil" coming out of all its openings -- mucus, ear wax, spittle, feces, urine, sweat, fat, gas.
 
Walking corpses (femen.org)
The realization is so shocking, so real, that the mind/heart shrinks back. One becomes dispassionate, disillusioned, and there is a moment of freedom, seeing things as they really are.
 
We are quickly re-illusioned; we run to it as our only safety and comfort in a harsh world, and we die still firmly in the grip of delusion, craving, and aversion (to all that is repugnant).
 
The heart/mind will not stand for the painful and disappointing truth. But, Siddhartha wondered, we were to stay with it? It allows an opening for systematic insight exercises, and one can break through to a realization that this has gone on not only in this life, this existence, but in countless past lives, past existences, past states of consciousness, past homes, past births, past states of becoming. And something more shocking is true: It is not only the gross impurities that are repulsive, there is a very subtle illusion going on:

That thing, that thing
Sid broke through (Songkhram_Ahuwari)
That thing, that composite-heap, is not one thing but countless parts, each of which is constantly falling away and being replaced. That thing -- all things -- that seems so stable, so likely to provide pleasure and satisfaction, actually provides a constant illusion and inevitable disappointment.

We never realize this; we cling to it instead as if maybe next time it will satisfy us, fulfill us, grant us lasting happiness and contentment. It fails, and fails, and fails, and yet we keep doing it seeing no other choice than to chase after illusory things. And it is not only sensual pleasures, but intellectual views (speculations, theories, philosophies, opinions, sides, real delusions about ourselves, about the world we think we see, feel, and taste out there).

Stop seeking. Live and die again.
Siddhartha's mind/heart let go, shrank back, pulled away, turned from, abandoned its clinging, its craving for this deception, and he saw things as they really are, profoundly realizing that "all things that come to be are subject to falling away; how could it be otherwise."

In other words, once one sees that things are not what they seem but are instead a painful trap, an mesmerizing illusion, a wheel we have been treading, a process the ancient mystics long ago named samsara -- this endless "continued wandering on." See, death would not be the end, death had never been the end, but just then Death got angry.
.
Samsara, the Wheel of Existence, the process of rebirth and redeath, the "continued wandering on" is like my hamster's wheel, a source of endless distraction with no origination point and no end. It does not unravel by itself but will keep going and going endlessly. However, there is a way to get off this useless and painful pursuit. More fun

Mara (Cupid) is beautiful
Mara, the personification of death, would not stand idly by as someone came so close to the answer awakening from this fitful dream, where Death imagines itself the supreme ruler. Mara Namuci the "demon" with an army of ogres (male and female yakkhas) came to unseat the Bodhisat (bodhisattva, bodhisatta, the "buddha-to-be," the being-intent-on-enlightenment).
 
Siddhartha persevered and remembering countless past lives, past conditions, past times when these same things had been true, these lines pursued, never seeing this Dependent Origination of things.

Attack before he realizes the Truth!
He broke through and became the Buddha ("supremely awakened teacher"), a title signifying his perfectly awakened state. One should not cling to this title because the Sage of the Shakyas (his family clan name) has gone by many titles, Mahavira ("Great Hero"), Tathagata (the "Wayfarer or Welcome One and Well Gone One"), Bhagava ("Blessed One"), and so on.

We say the historical Buddha because the former Prince Siddhartha Gautama (Gotama) realized that there had been other Awakened Ones in the distant past and in the future, a precious few who taught, many more who could not, and those striving to accomplish this level of realization and teaching ability.
 
Tibetan monks use wooden planks to do 100,000 prostrations to the Bodhi tree (not shown)

Sunday, 22 June 2014

ZEN: "The Void," "Sex in the Church" (video)


Brad Warner (Hardcore Zen)
British Zen Buddhist, Taoist, Episcopalian teacher Alan Watts is an inspiration to Californians, where his show continues to air on Los Angeles' Pacifica Radio (KPFA.org) thanks to Roy of Hollywood Tuckman (8:00 am Sundays, midnight Thursdays).

This video is the fourth episode of Alan Watts' 1959 KQED TV series "Eastern Wisdom and Modern Life." (DVDs available at alanwatts.com/collections).

Alan Watts was an unabashed lover
A native of England, Watts attended the King's School near Canterbury Cathedral. At 14 he became fascinated with the philosophies of the Far East. By 16 he regularly attended the Buddhist Lodge in London, where he met Zen scholars Christmas Humphries and D.T. Suzuki. As a speaker and contributor to the Lodge's journal, The Middle Way, he wrote a series of philosophical commentaries and published his first book on Eastern thought, The Spirit of Zen, at age 21. In the late thirties he moved to New York, and a few years later he became an Episcopalian priest. In 1942 he moved to Illinois and spent the wartime years as chaplain of Northwestern University.
Square to hippie (ianmack.com)
In 1950 he left the church, and his life took a turn away from organized religion back toward Eastern ways and expanding horizons. After meeting author and mythologist Joseph Campbell and composer John Cage in New York he headed to California and began teaching at the American Academy of Asian Studies in San Francisco.

There his popular lectures spilled over into coffehouse talks and appearances with the well-known beat writers Jack Kerouac, Gary Snyder, and Allen Ginsberg. In late 1953 he began what would become the longest-running series of Sunday morning public radio talks, which continue to this day with programs from the Alan Watts Tape Archives.
In 1957 he published the bestselling The Way of Zen, beginning a prolific ten-year period during which he wrote Nature, Man and Woman; Beat Zen, Square Zen and Zen; This Is It; Psychotherapy East and West; The Two Hands of God; The Joyous Cosmology; and The Book: On the Taboo Against Knowing Who You Are.

By 1960 Watts' radio series "Way Beyond the West" on Berkeley's KPFA.org had an avid following on the West Coast, and NET TV began national broadcasts of the series "Eastern Wisdom in Modern Life." The first season, recorded in the studios of KQED, a San Francisco TV station, focused on the relevance of Buddhism, and the second on Zen and the arts.

Friday, 20 June 2014

Kim, Kali, Kwan-yin, Kumari, Mary K (video)

Ashley Wells, Amber Larson, Dhr. Seven, Pfc. SandovalWisdom Quarterly; Sonia Narang ("The World," PRI.org, 6-18-14); KFIam640.com; Christian Today; New York Daily News
The new Madonna and Child, Kim Kardashian and North West, June '14 (hiphollywood.com)

Holy cow! Kim Yin Kardashian is now a goddess deified by American artist Hannah Kunkle

Kim, Kwan Yin, the Virg Yin as manifestations of the Goddess (Hannah Kunkle/Splash/KFI)
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Kim as black as Kali, bad tan (guyism.com)
US artist Hannah Kunkle's digital paintings feature reality TV star Kim Kardashian (Mrs. Kanye West) as various religious icons.

They were featured in an exhibition entitled "The Passion of Kim Kardashian" that opened in Brooklyn. Kunkle, 23, admits she is "strangely fascinated" by Kardashian.

Kanye and Kim, the FUTURE couple
"It's art. It's supposed to be wild and, not offensive, but prying," she told a US newspaper after various religious leaders slammed her work.
 
Father Michael Perry of Our Lady of Refuge Church in Flatbush, Brooklyn told the New York Daily News the show was "dumb and stupid." Kardashian is also portrayed as the Hindu goddess Kali, Jesus the Christ, Catholic nuns, Joan of Arc, and a Satanic priestess [like Mary Kay but selling Khroma]. More

We've just about had it with Kardashian-West, just about, but the West needs goddesses, too

Kim Kardashian Satanic high priestess with her own altar (animalnewyork.com)
Satanic priestess: Kim drops in on Kanye at Bonnaroo 2014 in seductive top (Daily Mail)
. 
I'm still a young hybrid (M-C)
The artist explains why she did it: "I think she is almost a patron saint of pop culture," Kunkle told the Daily News.

"She's everywhere." And in an April 2014 interview, she went beyond statements of admiration: "Kim Kardashian is God," she told VICE.
The Living Goddesses of Nepal
Sonia Narang (The World, PRI, 6-18-14); Amber Larson, Dhr. Seven (eds.), Wisdom Quarterly

Along a busy thoroughfare near Kathmandu, Nepal, a passageway leads into a large, open-air courtyard. In the back corner, there’s a modest home with a red sign outside that simply reads, “Living Goddess.”
 
Kumari blessing at festival (Sonia Narang)
A narrow wooden staircase leads up to the second floor, where the goddess spends much of her childhood. She’s called a Kumari (Ku Mary), and she’s [adored] by Nepali Hindus and Buddhists, who believe she's the [embodiment] of the Hindu goddess Durga [with the power to kills one's demons].
 
In Nepal, this centuries-old tradition of choosing a young girl as a goddess continues to this day. Now, people from around the world flock here to get a glimpse of her.


 
Are there Himalayan pools in Nepal?
I got to know the mother of this Kumari after several visits to her house.
 
Her name is Shobha Bhajracharya. She has a full, round face with a sweet smile.
 
I ask her how she felt when her daughter Samita was chosen to be a Kumari a few years ago. She laughs shyly.
 
Kumari is so cool! Choose me! I can morph.
I felt both happy and sad,” she says.

“On one hand, I felt happy because when your daughter becomes god, having a god in the home is a delightful thing.

But [on the other hand] I also got scared because I wasn’t sure if we would be able to follow all the rules.” More

Who is the Buddhist Goddess Kwan Yin?
ReligionFacts.com; edited by Wisdom Quarterly
Goddess Kwan Yin buddha-to-be with a  thousand arms (chinatourguide.com)
 
Kwan Yin (also Kuan and Guan Yin) is the bodhisattva of compassion. [A bodhisattva is a person who has vowed to develop the perfections to become a buddha].

I wear white! Goddess power!
She venerated by East Asian Buddhists [particularly in the very Hindu-influenced Mahayana school, having morphed from the Hindu god Avalokitesvara].

Commonly known as the "Goddess of Mercy," Kwan Yin is also revered by Chinese Taoists as an Immortal. The name Kwan Yin is short for Kuan Shih Yin (Guan Shi Yin), which means "Observing the Sounds of the World [One Who Hears the Cries of the World]."

Braless in Paris, France (M-C)
In Japanese, she is called Kannon, or more formally Kanzeon; the spelling Kwannon, resulting from an obsolete system of romanization, is sometimes also seen. In Korea, she is called Kwan-um or Kwan-se-um. In Vietnamese, she is called Quan Âm or Quan Thế Âm Bồ Tát [Kwan Yin Bodhisattva].

Kuan Yin is the Chinese name for the bodhisattva Avalokitesvara. However, folk traditions in China and other East Asian countries have added many distinctive characteristics and legends [to the original Brahminical/Hindu legend]. Most notably, while Avalokitesvara can be depicted as either male or female, Kuan Yin is usually depicted as a young woman, whereas Avalokitesvara in other countries is usually depicted as a man.

My make up is optional! No, Kim!
Along with Buddhism, Kwan Yin's veneration was introduced into China as early as the 1st century CE, and reached Japan by way of Korea soon after Buddhism was first introduced into the country from the mid-7th century.
 
Representations of the bodhisattva in China prior to the Song Dynasty (960-1279) were masculine in appearance. Images which later displayed attributes of both genders are believed to be in accordance with the Lotus Sutra, where Avalokitesvara has the supernatural power of assuming any form required to relieve suffering and also has the power to grant children.
 
I don't git it! - I'm "Kim Yin" now. (PH)
Because this bodhisattva is considered the personification of compassion and kindness [more like Princess Diana of Wales or the original Goddess DIANA, who now appears in the form of the Hunger Games' Jennifer Lawrence], a mother-goddess and patron of mothers and seamen, the representation in China was further interpreted in an all female form around the 12th century. In the modern period, Kuan Yin is most often represented as a beautiful, white-robed woman... More
 
Kwan Yin in Theravada Buddhist Thailand, Wat Plai Laem, Ko Samui (sandrobisaro.com)
But I want to be the All-American Goddess! Notice me! I'm Lindsay "The Luóhàn" Lohan!

  
NRNY to legalize medical marijuana
[Hey, Lindsay,] New York is poised to become the 23rd state to legalize medical marijuana, but smoking it will not be allowed under... [So why don't you move there?]

Saturday, 24 May 2014

Topanga Days Hippie Fest (May 24-26)

Wisdom Quarterly; TopangaDays.com


Once a year, typically Memorial Day weekend in late May, a dance, contemporary crafts, performance art, and music festival is held to support the activities of the... in Hollywood's back yard. More

Sunday, 18 May 2014

Distortions of the Mind (sutra)

Dhr. Seven and Amber Larson, Wisdom Quarterly translation (Vipallasa Sutra, AN 4.49)
The "distortions" (vipallasas) can be called the hallucinations, perversions, inversions.
 
Candy eye (lilminx16/deviantart)
Earlier we asked, What is art? Is it a cartoon, an illusion... or an attempt to see things the way they really are? 

Art can sensitize us even as it distorts and emphasizes. Perception is how we look at the world we create every moment without realizing we're creating as we're choosing what to notice or how to interpret (cognize) it. Art, like meditation, may sensitize and teach us to clear our mental perception -- our preconceptions and distortions. (See sutra and explanation below).

"Meditators, there are four distortions of perception, distortions of mind (heart), distortions of view. What are the four? 

Saara sees (Arkiharha/weekday-illusion)
"To regard as 'permanent' what is actually impermanent is the distortion of perception, distortion of mind, distortion of view.
 
"To regard as 'fulfilling' what is actually disappointing...

"To regard as 'personal' what is actually impersonal (anatta)...

"To regard as 'attractive' what is actually unattractive is the distortion of perception, distortion of mind, distortion of view. These are the four distortions of perception, distortions of mind, distortions of view.
 
The Undistorted
The Buddha distorted to reflect iridescent colors on drilled metal surface
 
Psychedelic (-william/flickr.com)
"There are four non-distortions of perception, non-distortions of mind, non-distortions of view. What are the four? 

"To regard as 'impermanent' what is actually impermanent is the non-distortion of perception, non-distortion of mind, non-distortion of view. 

"To regard as 'disappointing' what is actually disappointing...

"To regard as 'impersonal' what is actually impersonal...

"To regard as 'unattractive' what is actually unattractive is the non-distortion of perception, non-distortion of mind, non-distortion of view.
 
"These are the four non-distortions of perception, non-distortions of mind, non-distortions of view."
    
"Perceiving permanence in the impermanent, fulfillment in the disappointing, self in the impersonal, attractiveness in the unattractive -- beings, brought to ruin by wrong-view, become imbalanced, go out of their minds.
 
Mara has his eye on us (lilminx16)
"Bound by Mara's noose, from that noose [snare, threat of death] they find no rest. Instead, beings continue wandering on, going to rebirth and death.
 
"But when Enlightened Ones arise in the world and bring light into the world, they proclaim the Dharma [the path to liberation] leading to the cessation of disappointment (dukkha, suffering).

"When those with wisdom (insight) listen, they regain their senses and see the impermanent as impermanent, the disappointing as disappointing, the impersonal as impersonal, and the unattractive as unattractive.

"Undertaking right-view, they go beyond all disappointment and unhappiness."
The Perversions explained
Ven. Nyanatiloka, Buddhist Dictionary
What is art? (Saara/flickr.com)
The "perversions" or "distortions" are four, which may be either:
  • of perception (saññā-vipallāsa)
  • of consciousness (citta-vipallāsa)
  • or of views (ditthi-vipallāsa).
What are they? The four are seeing or regarding:
  1. what is impermanent (anicca) as permanent;
  2. what is painful (dukkha) as pleasant (or happiness-yielding);
  3. what is without a self (anattā) as a self;
  4. what is impure (ugly, asubha) as pure or beautiful'' (A.IV.49).
Ah, is that how I was seeing things?
"Of the distortions, the following are eliminated by the first path-knowledge (stream-entry, sotāpatti): the distortions of perception, consciousness, and views, that the impermanent is permanent and what is not a self is a self; further, the distortion of views that the painful is pleasant, and the impure is pure.
 
By the third path-knowledge (non-returning, anāgāmitā) are eliminated: the distortions of perception and consciousness that the impure is pure.
 
By the fourth path-knowledge (full-enlightenment, arahatta) are eliminated the distortions of perception and consciousness that the painful is pleasant" (Path of Purification, Vis.M. XXII, 68).

Sunday, 27 April 2014

Byzantine History Made Easy (audio)

Pat Macpherson, Dhr. Seven, Wisdom Quarterly; (Off-Ramp)
Archangel Michael (Buddhist Sakka, King of the Devas), 1300-1350 AD, Constantinople, tempera and gold on wood (Gift from Istanbul, Byzantine & Christian Museum, Athens).

Byzantium: Heaven and Earth and Constantinople, too
Buddhist Messiah Maitreya (WQ)
What civilization lasted 1,100 years, almost into Columbus’ time, that hardly anyone thinks of as a civilization? Byzantium.

It was a Yelp-5-Star civilization that bridged ancient times to modernity. And it’s now showing at both of the Gettys in Los Angeles.
  
First the Romans took over the Greeks. Then, 800 years later, the Greeks took over the Romans. [Messianic Buddhism-influenced] Christianity came into the mix, and the result was the magnificent Byzantine Empire, which once spread from North Africa all the way to Crimea (Ukraine).

  • Greco-Buddha, Gandhara
    Greco-Indian Buddhist empires: Bactria, Seleucid, Sogdia, Gandhara
  • Ancient Greece: the Buddhist monk and King Menander I (Milinda) In the land of the Bactrian Greeks, there was a city called Sagala, a great center of trade. Rivers and hills beautified it, delightful landscapes surrounded it, and it possessed many parks, gardens, woods, lakes, and lotus-ponds. Its ruler was King Milinda (Menander I), a man who was learned, experienced, intelligent, and competent, and who at the proper times carefully observed all the appropriate Brahminical rites, with regard to things past, present, and future. As a disputant he was hard to assail, hard to overcome, and he was recognized as a prominent sectarian teacher. One day, a large company of Buddhist saints (arhats) living in a well-protected spot in the Himalayas sent a messenger to Ven. Nagasena. He was dwelling at Asoka Park in Patna. They asked him to come, as they wished to see him, to have him go dispute the Greek king. 
While Western Europe was collapsing during the Dark Ages, Byzantium was a world center of art, literature, and culture. Yet, its story is largely forgotten in the deep dark gap between ancient and modern history.
"Heaven and Earth: Art of Byzantium from Greek Collections" is at the Getty Villa through August 25. "Heaven and Earth: Byzantine Illumination at the Cultural Crossroads" is at the Getty Center through June 22, 2014.
    Aphrodite, 1st century (NAM)
    In a bid to remedy this, the Getty is hosting a rare doubleheader called Heaven and Earth. The art from several Greek museums is on display at the Getty Villa, while the manuscripts are at the Getty Center. This has never happened before. Nor has any art of the past millennium ever been shown at the classically dedicated Getty Villa.
    Why now? Not that the recovery of the civilization of Greeks who called themselves Romans isn’t much overdue. But the new consciousness or awareness of this rich and tumultuous Byzantine culture seems to spring from Greece itself.
     
    Buddha, 1st century (Guimet)
    “It was always there,” said Peter Poulos, an American-born official of the Bernaki Museum. “There are wonderful Byzantine churches all over Athens, built over almost every ancient pagan temple.”
    But in recent years, modern Greece has rediscovered this mighty culture that endured far longer than the glory that was Classical Greece. Byzantium continued that glory. That’s one reason Modern Greece wants to share this heritage to the world.

    The Getty Villa has on show more than 160 ikons, sculptures, and other works of art, many of which illustrate Byzantine art’s connection to... The intricate passages of this great art through the medieval world were indeed truly byzantine. Some of the most fascinating stuff here shows the Byzantine effects on the art of Central Asia [land of the Shakyas, the Buddha's relatives]... LISTEN


    RIP Mike Atta: Hardcore punk founder, guitarist for OC band
    (Off-Ramp/SCPR.org)
    The Middle Class may have invented hardcore, an important genre of punk rock, but to say they invented it implies intent.
    "It's not like The Middle Class guys, who were all teenagers at the time, like 15-17, who had barely discovered punk, and kinda taught themselves to play. What they had heard was that punk was loud and fast, and be kind of crazy. So with that in their heads, they just started playing loud and fast, there was nobody around to tell them, 'Hey, you're playing too loud and too fast!'" - Chris Ziegler, editor and publisher of LA Record.
    In any case, this group of teens from Santa Ana (Orange County) was doing something nobody else was doing, and they were successful and influential. LISTEN
    • Off-Ramp is a lively weekly look at Southern California through the eyes and ears of radio veteran John Rabe (from Pasadena's KPCC FM). News, arts, home, life... covering everything that makes life here exciting, enjoyable, and interesting.