Buddhist SPORTS: "brainball" at Sera (video)

Dhr. Seven and Amber Larson, Wisdom Quarterly; KL.Lau (wiki); TricycleMag (video)

"When the Iron Bird Flies: Buddhism for the West" (with Richard Gere) from BPS/Sera:

The Fix Is In (Brian Tuohy)

The pitch (field) was crackling. Everyone was suited up. Game books in hand, teams formed, star players and cheerleaders, then it was game on.

  

Take that! No, you take that! Click and clack, fripp and frap, with vorpal sword (vajra) in hand. Now you've gotten yourself in a bind you'll never be able to get out of! Here's my retort; now you're trapped! Bam, take that right back! Lama on lama and the rinpoche can referee.

Sacred thunder bolt: Vajra

Here is a poetic play-by-play of an idealized match for The Phörpa (Cup):

One, two! One, two! And through and through,

The vajra hand goes snicker-snack!

He left him slumped, and with his head held high,

He went galumphing back.

- Lewis Carroll's imagination

Diagram of the pitch (mandala) for a match (debate) in the head space of reality.

The debate is on. Bam (hand clap)! Try to get yourself out of that one! (KL.Lau)

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Debating Buddhist scriptures － Tibet's Sera Monastery 西藏色拉寺 

They'll get it when they meditate (KL.Lau)

Sera Monastery (gompa or Himalayan lamasery) is one of the great three Gelukpa sect university monasteries in Tibet. It is located 1.25 miles (2 km) north of the capital, Lhasa. The other two are Ganden and Drepung.

 

Sophistry? The only way to debate is to study, question, and contemplate (KL.Lau)

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Gamble? Larceny Games

The origin of the name "Sera" is attributed to the fact that the site of the monastery was once surrounded by wild roses (Tibetan se ra) in bloom. The original Sera was located in Lhasa about 3 miles (5 kms) north of the Jokang and is responsible for some 19 hermitages, including four nunneries, all located in the foothills north of Lhasa.

Sera Monastery is a complex of structures with a Great Assembly Hall and three colleges, founded in 1419 by Jamchen Chojey of the Sakya Yeshe of Zel Gungtang (1355-1435), a disciple of Tsongkhapa.

During the 1959 revolt in Lhasa, Sera suffered severe damage, its colleges destroyed, and hundreds of Buddhist monks killed. After the Dalai Lama escaped and found asylum in India, many of the Sera monks who survived the Chinese invasion moved to Bylakuppe in Mysore, India.

When Iron Bird Flies (Ayya Khema)

After initial tribulations, they established a parallel Sera with Sera Me and Sera Je colleges and a Great Assembly Hall similar to the original monastic complex with help from the Indian government. There are now more than 3,000 monks living in India's Sera, and the community has spread its missionary activities to several other countries by establishing Dharma centers propagating knowledge of Bon shamanism and  Buddhism known as Himalayan Vajrayana, Indian Tantra, Chinese Esoteric Buddhism, and Lamaism. [This is what was bound to happen "when the iron bird flies," according to Tibetan lore.]
 

Ven. Trijang, Dalai Lama's tutor, Sera Mey

The Sera in Tibet and its counterpart in Mysore, India are noted for their dramatic and very animated "monastic debates." This stylized form of intellectual combat is meant to enhance learning and reflection on the Dharma, the teachings of the Buddha and elaborated, Hindu-synthesized Buddhist philosophy (aka Mahayana). Sera developed over the centuries as a renowned place of scholarly learning, training hundreds of scholars, many of whom have attained fame in Buddhist countries.
   

After the match everyone gathers for a group photo at Sera Me Tratsang College  "stadium"

Life in Buddhist India, circa 1999 (video)

Amber Larson, Wisdom Quarterly; Norton Simon Museum

"In the Land of Snow" Buddhist Art of the Himalayas" (nortonsimon.org)

A group of young Tibetan monks living in India's Himalayas find themselves torn between their spiritual pursuits and their love for soccer in the true-life comedy "The Cup." Soccer's World Cup fever had swept the globe, finding its way into a remote Buddhist monastery nestled in the Himalayas of northern India. While their teachers, elder lamas, try to keep the young monks focused on their studies, they will do just about anything to watch the final match.

Even if that means finding a satellite dish and setting it up on top of their quiet hermitage. An inspiring tale of colliding cultures, midnight escapades, and daring secret plots is all set against the rich traditions of Tibetan/Bhutanese Vajrayana Buddhism and art. (Rated G, Tibetan with English subtitles, showing tonight FREE at the Norton Simon Museum of Art, Pasadena, as part of the Himalayan Buddhism exhibit).

• Date: Friday, June 06, 2014
• Time: 7:00 pm - 8:40 pm
• Director: Khyentse Norbu

Free College Night: Himalayan Buddhism

Ashley Wells, Seth Auberon, Wisdom Quarterly; Norton Simon Museum, Pasadena

Buddhist prayer flags flutter in the Himalayas (Bhakti Omwoods/facebook.com)

College Night is an evening at the Museum just for college students. 

Meet the curators, attend tours, and listen to gallery talks with exclusive behind-the-scenes information about favorite paintings and sculptures. 

Learn about the 20-foot-tall Tibetan Buddhist silk thangka in the special exhibition In the Land of Snow: Buddhist Art of the Himalayas.

Lamayuru gompa, Ladakh (DT)

et inspired by the photography exhibition Face It: The Photographic Portrait, and then channel that inspiration as by drawing in the galleries and enjoying music, food, and drinks with fellow art lovers in the Museum’s sculpture garden.

Students receive 25% off all food for sale in the Garden Café. Visit the Norton Simon College Night page for more information.

• Friday, April 25, 2014, 7-9:00 pm
• Open House, FREE with valid college I.D.
• Registration recommended but not required

Land of Snow: Buddhist art of the Himalayas

Dhr. Seven and CC Liu, Wisdom Quarterly; Norton Simon Museum of Art

The world-famous Norton Simon Museum of [Buddhist] Art, Pasadena, California

The road to the top of the world, be it K2 or Everest, is the path-of-practice (RTI/WQ)

   

In the Land of Snow: Buddhist Art of the Himalayas

Buddhist Goddess, 1450 Nepal (NS)

This is the Norton Simon's first large-scale exhibition of Himalayan Buddhist art.

It will bring together exceptional Indian [Ladakhi, Sikkim, HP], Nepalese, and Tibetan Buddhist sculptures along with significant thangka (wall hanging "flat field") paintings from throughout the Himalayan region from the Museum's permanent collection and generous loans.

Himalayas (MickeySuman/flickr)

One monumental thangka, which measures over 20 feet in height, depicts the "Buddha of the Future," Maitreya, flanked by the 8th [NOTE: We are currently at the 14th] Dalai Lama, Jamphel Gyatso, and his tutor, Yongtsin Yeshe Gyaltsen. This is only the second time this extraordinary painting has been on view at the Museum.

The exhibit runs from March 28-August 25, 2014, but three related events begin tomorrow (see below).

Himalayan Maitreya, the Buddha-to-come, Diskit, Ladakh, India (PaPa_KiLo/flickr.com)

 
1. MANDALA MAKING (Family Art Night)

Bhavacakra (thangka-mandala)

Date: Friday, April 11, 2014, 6:30 pm-7:30 pm

Mandalas are cosmic diagrams that help us understand how the universe is organized. Create a mandala of your world with yourself at the center, surrounded by the people and things that are important to you. Meets in Entrance Gallery (FREE with admission), designed for families with children ages 4–10. No reservations needed

• 2. TOUR: Buddhist Art of the Himalayas
• Date: Saturday, April 12, 2014, 1:00 pm-2:00 pm
  

Maitreya thangka, Tibet 1793 (NS)

Join a Norton Simon Museum educator for a one-hour tour of the exhibition "In the Land of Snow: Buddhist Art of the Himalayas." Meets in Entrance Gallery (FREE with admission). 

3. LECTURE: Enter the Mandala: Cosmic Centers and Mental Maps in Himalayan Buddhism, Saturday, April 19, 2014
Jeff Durham (Asian Art Museum of San Francisco) Mandalas are geometric maps of Vajrayana Buddhist visionary worlds. Appearing in both painting and sculpture, mandalas typically consist of nested squares and circles. These geometric forms define the center of the cosmos... 3:00-5:00 pm

Did the Buddha dance? (video)

Dhr. Seven, Amber Larson, CC Liu, Wisdom Quarterly; Ou Lu Yang, Xochitl (ed.)

Don't lecture us, venerable sir, just show us that dance again (Dietmar Temps/flickr.com).

Tibetan Vajrayana lamas engaged in meditative Tai Chi-style movements.

Native American Apache spirit dancers, 1887, traditional ceremony (Native Skeptic)

  

Dancing Tara (liveauctioneers)

Why do human beings dance? Synchronized movements, particularly to rhythmic music or a unifying beat as our cue, are a natural ritual for nonverbal expression and communication.

 

We are making use of these incredible bodies, which may seem feeble now in the Kali Yuga but were certainly much more incredible in earlier and future Golden Ages. (It's cyclical, so all ages repeat).

Shakyamuni Buddha was not Shiva Nataraja ("Dancing Shiva," lit. "Shiva Lord of the Dance [of Life]"). According to Hinduism the Buddha was the ninth avatar of Lord Vishnu, the great sustaining god. 

 

The Buddha, however, made it very clear that he is NOT a god/deva, not a messenger angel, not a mythical being, no longer an ordinary human being, and not an anything other than "AWAKENED" (Dona Sutra, AN 4.36). Because of this, he came to be called the Buddha, a title which means the "Awakened One."

 

Shiva's cosmic dance, not the Buddha's

But if GOD (Brahman, godhead) is an acronym, G.O.D. -- the Generator (Brahma), Operator (Vishnu), and Destroyer (Shiva) of the universe -- then by this logic the historical Buddha was a force for the steady maintenance of this world-system, our universe or, at least, our solar system.

• Buddhism and the God-idea

(According to whistleblower and former CIA pilot John Lear, our solar system actually has more than 30 planets, which if true might correspond to Buddhist cosmology's 31 Planes of Existence, assuming a "world-system" is only the size of a solar system rather than a galaxy, constellation/celestial sphere like Orion, or a universe).

 

So did the Buddha dance? 

Dancing 1,000-armed Kwan Yin Pusa (CTG)

No, the Buddha did not dance. There is no need to for one who has transcended materiality and mentality and reached the stillness of absorption and become the quintessence of enlightenment, no longer a slave to intellect and emotion, to clinging and suffering, to identity and to social constraints. 

 

Dancing is also outside of the Discipline (Patimokkha and  Vinaya and even excluded in the Training Rules of intensive lay practitioners during the lunar observances).

 

Dancing Tara Bodhisattva, Nepal (ebay.com)

But that is not to say Buddhists do not. Buddhists do dance! Buddhists (even bodhisattvas) do all sorts of things. Look at Kwan Yin, look at Tara, look at high lamas and other vow takers. 

 

A better question one might ask is, Did Siddhartha (the Buddha-to-be) dance? There were more than enough musicians and dancing girls in the palaces and at the parties, so he must have.

 

Should we as American Buddhists be stoic and guilt-ridden like our Catholic, Protestant, and Jewish cultural forbears (as typified in James Joyce's The Dead)? No, let's not do that.

 

Prince Siddhartha and the palace dancing girls

Let's be alive. Let's have bodies rather than separating from them the way early childhood trauma encourages us to do. Being "present" means being here, in the body. That is what Ram Dass meant when he distilled the message of Zen and Buddhism in general with the simple expression BE HERE NOW.

 

Flexible yogini in sitting pose (Caroline Klebl)

Let's loosen our hips. Raja (Ashtanga, Integral) Yoga and even gentle Hatha Yoga helps with that. Unclenching sphincters also helps. We are so uptight, pushing ourselves to seem ever-busy, seeming to get so much done to fulfill ourselves by waving bucket lists with lots of check marks.

 

"Breathe," Pink Floyd advises, "breathe in the air. Don't be afraid to care. Leave. But don't leave me. Look around. Choose your own ground. How you live and how you fly, the smiles you'll give and tears you'll cry, all you touch and you see is all your life will ever be...."

 

Dancing, remembering, and letting go

Then there's the advice of Deadmau5 featuring Kaskade: "Feeling the past moving in/ Letting a new day begin/ Hold to the time that you know./ You don't have to move on, but let go./ Remember turning on the night/ And moving through the morning light./ Remember how it was with you./ Remember how you pulled me through./ I remember, I remember, I remember.../ Hold to the love that you know./ You don't have to give up to let go." (Extended dance mix)

 

Dancing shakes off excess cosmic energy (shakti, feminine power, yin) from the body's spinning chakras. Then Shiva resorts to the bliss (piti and sukha) of samadhi.

  

Tibetan Monks' Trance Dance 

OuLuYang edited by Wisdom Quarterly

You should do like this, not do like that. And don't laugh, I'm serious. You're recluses now, and right and wrong must be very clear to you! Do you hear me? (overgrownpath.com)

  

The video above is a dance performed by young monastics at Ganden Sumtseling Gompa, a Buddhist monastery located north of the city of Zhongdian (Shangri-La) in Yunnan province on the southeastern edge of the Tibetan Plateau.

 

The dance begins with one lama emerging from the main temple. His routine initially faces the temple then faces all of the directions of the wind then spirals around a central point where there is a dark quilt and wooden square (symbolizing a demon).

 

The beat of the shaman's drum (Budddhism and Bön), Lamayuru, Ladakh (Dietmar Temps)

  

The shaman's ancient drum far from Tibet

The dance accelerates and incorporates jumping. In its finale, dozens of monks join in to perform the circular dance around the quilt until, in the end, they all crowd around its center. 

 

The dance concludes with pairs of monks taking leaps at the temple, praying toward its entrance, praying away from its entrance, then jumping inside. Altogether it takes about three hours. The dance is performed annually, during a ritual in which monks dress in elaborate costumes and masks and dance around a large effigy of the demon rather than a quilt. It is very reminiscent of Native American (Hopi, Anasazi, Apache, Puebloan peoples) ceremonial dances.

 

The purpose of the dance is to contain the angry spirit of the demon, possibly to recreate the Tibetan myth of the subjugation of an angry Himalayan goddess by an Indian monk, which popularized the monk and allowed for the introduction of Buddhism to Tibet. This video is an amalgamation of clips recorded during the initial monk's rehearsal for the ritual.