Showing posts with label Youth. Show all posts
Showing posts with label Youth. Show all posts

Friday, 18 April 2014

Coachella begins: Weekend 2, 2014 (video)

Eds., Wisdom Quarterly; YouTube/Coachella; Buzzfeed; 98.7; Randall Roberts (LA Times)
Coachella bikini-clad bhumi-devas go on display (Naomi Zeichner/buzzfeed.com)
Eat your hearts out as I do my best Miley acid... She's in the hospital OD'ing on antibiotics?

LA has a $10 alternative in Brokechella but, "Space is far out, man!" (alt987fm.com)


(Coachella) See highlights of Weekend 1. Fan photos. Watch VIDEO
  
Coachella is a one horse polo field in desert
It's a once-in-a-lifetime show like Woodstock '69, but it happens every year, twice. Never mind all that; it's Coac-hell-aaaaaaa! Get in the carpool, and shut up. Here we go again -- the lawn, the price gouging, the sun damage, and the wooooo!

Katy Perry in the audience
INDIO, California - As a giant impenetrable scrum of attendees waited for New Zealand singer Lorde, 17, to take the Outdoor stage at the Coachella Valley Music and Arts Festival, nearby, MGMT played the main stage, and the chorus of its song "The Youth" gusted in toward Lorde's crowd like a portent.
 
"The youth is starting to change," offered singer Andrew VanWyngarden as the band's psychedelic disco slow jam drifted in. "Are you starting to change? Are you, together?"

No one much smiles unless one holds up a camera or until the music whisks a concertgoer away for a moment in an overheated tent or a massive mosh pit (latimes.com).

When I was 17, Wknd 1
A few minutes later, as if conjured by MGMT's query, arrived Lorde. Dressed in white and seeming every bit a future figurehead, she took the stage just after the distant song had arrived at its ethereal ending mantra: "the youth… the youth… the youth." It felt like a clarion call.
Call it coincidence or a mystical accident of fate, but that moment on Saturday seemed to capture this year's festival for me: a musical event firmly listing away from past glory and toward a synthesized future. More

Locals left out when world comes to party
Josie Huang

The Coachella Valley Music and Arts Festival has been a fixture in Indio [Spanish for "Indian"] for 15 years -- or, in the parlance of some city teenagers, “forever.” And that comes with perks and drawbacks. Big perk: The marching band at Indio’s Shadow Hills High School was invited to perform with the electronica duo Big Gigantic when the festival opened last weekend. More

Sobriety is one of the best things about Coachella Music and Arts Festival (buzzfeed.com)
After 100 Years of Solitude, then what?

    Friday, 11 April 2014

    Coachella Music Festival 2014 starts (watch)

    Watch the California desert festival streamed live on youtube both weekends.
    Art, music, lovemaking, yoga, desert communing, shouting, contemplating, staying hydrated


    These are the LINKS to Day 1, Channel 1. Channel 2. Channel 3. More
     
    Girls of Coachella rave and barf on lawn
    We can think, think, think, but sometimes we just have to dance. What is dancing? Rhythmic movement to cues coming in through other senses. Such movement makes us human, bonding large groups. Go tribal, go rural, go aural, but go. It need not make sense to the CPU. As long as the senses can sense it, our bodies can make sense of it. It's part of what the body is for, and there are many beings without bodies for lack of use. So use it. Schedule

    Colbchella: Dancing to "Get Lucky" with Colbert (Daft Punk)
     

    Thursday, 13 March 2014

    Why for-profit prisons fill with inmates of color

    "Kids for Cash" is a shocking and riveting real-life documentary thriller that rivals fiction.

    "Kids for Cash" examines the notorious true story of judicial scandal that has recently rocked the nation. Beyond the millions of dollars paid to corrupt judges to jail kids by private for-profit prisons, it exposes a shocking American secret. In the wake of the shootings at Columbine, a small town celebrates a law-and-order judge who is hell-bent on keeping kids "in line." Then one parent dares to question the real motives behind his brand of "justice." This real-life story reveals the untold stories of the masterminds at the center of the scandal to fill up for-profit prisons with any children available, guilty or not, and the chilling aftermath of lives destroyed in the process. It is a stunning emotional roller coaster.

    A new study by a UC Berkeley graduate student has surprised a number of experts in the criminology field. Its main finding is that private prisons are packed with young people of color.
     
    The concept of racial disparities behind bars is not new. Study after study, report after report, working group after working group has found a version of the same conclusion [ -- the country and courts are affected by ethnic prejudice, economic biases, and subtle racism that people find too uncomfortable to discuss or recognize]. 

    Prisons for Profit (WQ)
    The Sentencing Project estimates that one in three black men will spend time behind bars during their lifetime, compared to one in six Latino men, and one in seventeen white men. Arrest rates for marijuana possession are four times higher for black Americans than white Americans. 
     
    Black men spend an average of 20 percent longer behind bars [when everything else is controlled for] in federal prisons than their white peers do for the same crimes.
     
    These reports and thousands of others have the cumulative effect of portraying a criminal [in]justice system that disproportionately incarcerates black Americans and people of color in general.
     
    An inmate walks through the yard at the North Central Correctional Institution in Marion, Ohio, which recently switched to private management.
    Ruining lives the racist way: a young inmate of color walks through yard at the North Central Correctional Institution in Marion, Ohio, which recently switched to private for-pro management (Ty Wright/Bloomberg via Getty Images).
      
    Int'l Women's Day, L.A. (WQ)
    Berkeley sociology Ph.D. student Christopher Petrella's finding in "The Color of Corporate Corrections," however, tackles a different beast.

    Beyond the historical over-representation of people of color in county jails and federal and state prisons, Petrella found that people of color "are further overrepresented in private prisons contracted by departments of correction in Arizona, California, and Texas."

    This would mean that the racial disparities in private prisons housing state inmates are even greater than in publicly-run prisons. His paper sets out to explain why -- a question that starts with race, but takes him down a surprising path.

    Age, race, and money
    Prisoner (themonastery.org)
    First, let's look at a bit of background. Private prisons house 128,195 inmates on behalf of the federal government and state governments (in 2010 numbers, which have increased by 2014). There is a continual debate among legislators and administrators as to which is more cost effective -- running a government-operated prison, with its government workers (and unions), or hiring a private for-profit company (like GEO or Corrections Corporation of America) to house prisoners. States like California, Arizona, and Texas use a combination... More

    Monday, 24 February 2014

    "Invisible Young" - White, homeless kids in USA

    Seth Auberon, Dev, CC Liu, Wisdom Quarterly; Steven Keller (invisibleyoung.com, differentialfilms.com); Pasadena Area Liberal Arts Center (PALAC), Throop UU Church
    What I do is never shower: If I stink, I won't get raped. Hungry? Go to the dumpster; dive in.

    SEATTLE, Washington, USA - Dumpsters are their cafeterias. Trash bins are their supply stores. If they're lucky they can find enough cardboard for some warmth and a temporary makeshift shelter. The homeless young in Seattle have found ways to survive.
     
    I'm trying to get away from all this.
    Documentarian Steven Keller has lived outside Seattle for over ten years. Like most Americans, however, he didn't really see homeless youths he encountered. They become invisible. When he did see them he asked, Why?

    What did the system do to protect me?
    Eighteen months later "Invisible Young" was completed. In it Keller answers the most compelling question of all, "How does a 13-year-old end up on the streets of a prosperous country?" In his film he focuses on the riveting stories of four youths who were homeless in Seattle, in the great Pacific Northwest of the USA. Synopsis
    Can you spare some change for an all-American girl, mister?